I bought this class taught by Shari Blaukopf several months ago, along with her other class “Sketching the City in Pen, Ink & Watercolor”. Watching the classes was inspiring, but also a little intimidating. I kept feeling like I wouldn’t be able to make my sketches look as good as I wanted. And it felt like I would know how to do the techniques just by watching, not necessarily doing them myself. (Wrong!)
But motivated to take my skills up a notch, I finally jumped in and sketched along with her all the way through. And I’m so glad I did! Shari has lots of great tips throughout the class, and actually following along makes things stick better. Instead of completing the lessons as she assigns, I chose to mimic what she’s sketching and painting in class.
In the months since I bought the class, I became more and more drawn to Shari’s style. I particularly like the dappled brush strokes that make her work recognizable, and how her work looks accurately representational yet relaxed and loose. Watching her work and talk her way through her process was very helpful — it took some of the mystery out of it and made it more approachable and methodical than seeming like pure magic. She’s a great instructor!
I’m on the hunt for a sketchbook and paper that will work best for me, so these lessons were done on a variety of papers to test things out. The morning sky, neutral sky, and fluffy clouds are on Fabriano Artistico 140lb cold press natural white and the stormy sky is on Fabriano Artistico hot press white (folded from large sheets into journals using these instructions). The Flatirons sketch is in a Stillman & Birn Beta Series sketchbook.
I can see that in my main Flatirons project, I went too dark with the first big shapes layer, making the mid tone layers hard to distinguish and the darkest layers too dark and muddied. I’m still working on my techniques for layering color, leaving white areas, and nailing values.
This class is fantastic just to watch Shari work, but even better when you do the exercises yourself. I highly recommend it for developing ink and watercolor sketching skills!
from Instagram: Enjoying the therapeutic qualities of marching little watercolor leaves and flowers around a circle. #watercolorwreath #watercolorflowers #watercolor #illustration #coldpress #danielsmith http://ift.tt/2nxcZg5
from Instagram: After an intense week of working on my sloper, I’m ready to start making this top. I’m hoping it has a good balance of structured lines and details + comfort. Gotta have comfort. http://ift.tt/2m9D59c
from Instagram: The final exercise in the @mariyakey coffee illustration class. I can practically taste the drizzles of caramel and whipped cream! #skillshare #watercolor #watercolorsketch #inkandwatercolor #pittpens #pendrawing #illustration http://ift.tt/2iCARcN
from Instagram: Since it’s December I chose a winter flower arrangement as the inspiration this one. Some of the lines got a little heavy but I love the color blending from the wet on wet painting! I also love this paper so much better than others I’ve used ❤️ #watercolor #fabrianopaper #watercolorflorals #wintermood #skillshare @watercolordevo
I’m working on finding a good balance of painted areas and unpainted areas with my ink and watercolor sketches. It’s becoming more clear that in order to achieve a sketch that has a fresh and spontaneous quality to it, it takes more white areas than what strictly looks like a highlight.
With this box of macarons drawn from a photo, I kept the bright areas of the macarons unpainted. The liner in the box that they’re packaged in got a very light wash of color in the bright areas.
Another skill I’m working on improving is the shape of color the brush lays down next to the white areas. I feel like I’m getting closer, but the strokes seem a little self-conscious to me.
Another thing I did with this sketch was to paint the darker areas of the macarons with a deeper shade of the color, not a neutral grey as with a drop shadow. I love the way that technique makes the macarons so interesting to look at and dimensional.
Her loose, confident, and sketch-like style is what I’d like to get to with my own skills. By following her examples, I hope to learn what it feels like to emulate her style as a way to develop my own.
One thing I’m struggling with is being patient enough to let the layers dry before adding details on top of them. I keep ending up with a mushed-together blob like in the dark areas below.
I love the way my little red building turned out! The wet-in-wet variegated wash was intentional with this one, not the result of rushing layers.
Apples have become my achilles heel…there’s something about the red color and highlights that is ellusive to me. But the peach and strawberry turned out well. The strawberry was better for me because it has small, controlled highlights. And the peach doesn’t shine and features softly blended shades. Which was totally fun to do.
For these, I’ve been using Fabriano Artistico 140 lb. cold press watercolor paper in Traditional White. It’s stating the obvious, but the experience of painting on this paper is hugely different from using my Stilman & Birn Alpha Series sketchbook.