|“Early Summer Serenity”, 8×10.5, oil on canvas panel|
After a couple of weeks away from my easel, I was itching to get some painting in today. I’ve been doing more sketching and working on engaging my right brain during the process, which makes me enjoy it much more. My favorite way to sketch these days is gesture drawing because I approach them in a much more loose and carefree way.
Yesterday I pulled a photo of a local park out of my reference photo stack and did a quick sketch of it in two values. The foreground wasn’t very interesting, so I experimented with adding a vanishing point on the horizon line at my focal point and made diagonal lines radiating from it. I added some interest along those lines to help guide the eye into the painting and activate the boring foreground. The sketch was the basis for this limited palette color study.
I used one of the 12×16 acrylic primed canvas panels from Jerry’s Artarama, first dividing it in half and applying a ground of raw umber and titanium white acrylic paint in a medium-light value. For a square tetrad color palette of yellow-orange/blue-violet and red/green, I chose:
- cadmium yellow (this Holbein color is close to a cad yellow medium on my palette)
- alizarin permanent
- winsor violet dioxazine
- viridian hue
- Utrecht White